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From the creator of HBO's The Wire, the classic book about homicide investigation that became the basis for the hit television show
The scene is Baltimore. Twice every three days another citizen is shot, stabbed, or bludgeoned to death. At the center of this hurricane of crime is the city's homicide unit, a small brotherhood of hard men who fight for whatever justice is possible in a deadly world.
David Simon was the first reporter ever to gain unlimited access to a homicide unit, and this electrifying book tells the true story of a year on the violent streets of an American city. The narrative follows Donald Worden, a veteran investigator; Harry Edgerton, a black detective in a mostly white unit; and Tom Pellegrini, an earnest rookie who takes on the year's most difficult case, the brutal rape and murder of an eleven-year-old girl.
Originally published fifteen years ago, Homicide became the basis for the acclaimed television show of the same name. This new edition―which includes a new introduction, an afterword, and photographs―revives this classic, riveting tale about the men who work on the dark side of the American experience.
- Sales Rank: #309299 in Books
- Published on: 1991-06
- Original language: English
- Number of items: 1
- Dimensions: 9.40" h x 6.50" w x 1.70" l,
- Binding: Hardcover
- 599 pages
- true crime on the streets of Baltimore
Amazon.com Review
This 1992 Edgar Award winner for best fact crime is nothing short of a classic. David Simon, a police reporter for the Baltimore Sun, spent the year 1988 with three homicide squads, accompanying them through all the grim and grisly moments of their work--from first telephone call to final piece of paperwork. The picture that emerges through a masterful accumulation of details is that homicide detectives are a rare breed who seem to thrive on coffee, cigarettes, and persistence, through an endlessly exhausting parade of murder scenes. As the Washington Post writes, "We seem to have an insatiable appetite for police stories.... David Simon's entry is far and away the best, the most readable, the most reliable and relentless of them all.... An eye for the scenes of slaughter and pursuit and an ear for the cadences of cop talk, both business and banter, lend Simon's account the fascination that truth often has."
From Publishers Weekly
Baltimore Sun reporter Simon spent a year tracking the homicide unit of his city's police, following the officers from crime scenes to interrogations to hospital emergency rooms. With empathy, psychological nuance, racy verbatim dialogue and razor-sharp prose, he offers a rare insider's look at the detective's tension-wracked world. Presiding over a score of sleuths is commander Gary D'Addario, "connoisseur of survival" who grapples with political intrigue, massive red tape and "red balls" (major, difficult cases). His detectives include Tom Pelligrini, obsessed with solving the rape-murder of an 11-year-old girl; Rich Garvey, whose "perfect year" is upset by a murder case that collapses in court; and black, cosmopolitan Harry Edgerton, a lone wolf, son of a jazz pianist. This hectic daily log reveals the detective's beat on Baltimore's mean streets (234 murders in 1988) to be brutal, bureaucratic and, occasionally, mundane.
Copyright 1991 Reed Business Information, Inc.
From Library Journal
The city of Baltimore saw 234 murders in 1988. Allowed unlimited access to a shift of the city's homicide unit, police reporter Simon chronicles that year. The sociopaths, the crackheads, and their crimes are horrifying, but equal horrors are found in the attitudes of jurors in a case of the shooting and blinding of a policeman and in statistics showing the ultimate legal fates of those apprehended by the unit. Immersing his readers in cases, procedures, politics, and the detectives' personalities, Simon risks being sabotaged by the sheer scope of his account. Still, for those with strong stomachs and the willingness to work to keep the characters and dramas straight, he has produced a riveting slice of urban life. Recommended.
- Jim Burns, Pompano Beach City Lib., Fla.
Copyright 1991 Reed Business Information, Inc.
Most helpful customer reviews
5 of 5 people found the following review helpful.
"Homicide" A Great Book That Inspired Even Greater TV
By Charles Scoggins
In the opening scene of the classic HBO series "The Wire" a Baltimore homicide detective interviews the witness to a seemingly senseless murder of a teenager in the street and wants to know why the victim's street name was "Snot Boogie" and why he was shot. Reading "The Wire" producer David Simon's journal of a year spent with the Baltimore homicide department when he was a crime reporter for the Baltimore Sun, I was certain that scene was so real it had to be in the book somewhere. And it was, toward the end.
Simon was attuned to life on the gritty, city streets of Baltimore with an ear for the argot unlike any other producer of a TV crime show or crime writer. It showed in the TV series "Homicide: Life on the Streets," "The Corner," and lastly his masterpiece, "The Wire," and it shows in this pull-no-punches book. The senseless killings, the frustration of the detectives when confronted with a stone-cold "who-dun-it" they knew would never get solved, the anger when obviously guilty people they had arrested went free after trial ... it's all here, and more. As I read this book, I could see the models for the characters who appeared in the TV shows (I didn't even need to see the photos of the actors playing these models to figure out who they were) being developed. It isn't easy to make non-fiction a gripping read, but David Simon makes it look easy.
5 of 5 people found the following review helpful.
A remarkably vivid and deep look into the daily lives of murder police
By Gavin J. Dow
I'm perpetually trying to get back into reading, and for some reason, I settled on this book to do it sometime last year. Maybe it's because I'm a criminal defense lawyer and I wanted to see how the other side lives. Who knows.
After I started, I could barely put this book down. I have no idea how Simon managed to get as much access to the police department as he did, but it was an extraordinarily revealing look at how homicide detectives operate. Not just the investigation of cases, either (although that is fascinating in and of itself). The politics of a big-city cop shop - the chain of command, the objectives, the cases which are deemed important versus those that are not.
It's not going to be for anyone. There's graphic stuff here. The book takes you to some very grim places. After all, it's a book about murder police. But if police interest you, if homicide interests you, or if you just want to see what life would be like as a detective, read this. You won't regret it.
(And I defy you to read this and then not start watching The Wire, one of Simon's television series having to do with crime in Baltimore.)
2 of 2 people found the following review helpful.
Engrossing Narrative Nonfiction
By Jonesy
As a huge fan of The Wire (I've watched the series through at least 5 times), I can't believe I only read this just now. This book is probably my favorite narrative nonfiction book of all time now, along with Midnight in the Garden of Good and Evil. It is written much like a novel, with engaging stories and characters throughout.
The best part is that, like real life, not all of the storylines get neatly tied off in a bow. Just like life, politics dictates that resources are shifted from one case that has gone cold to the next hot case.
The bits about interrogation are also amazing, tackling interview techniques used by cops, discussion around Miranda warnings and the 5th Amendment, and how cops have to ork around these limitations.
Really awesome stuff. If you have ever been interested in Law & Order, The Wire, Radley Balko, or issues of police brutality or effectiveness, or if you have ever lived in an American city, or in America, I consider this a must-read. Do it!
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